anaheim-daily-herald 1921-11-16

WARNING IT WILL HAPPEN THURSDAY NOVEMBER 17 BE READY! Harold Clairmont "Greater Anaheim Realtor" 236 WEST CENTER ST. Phone 741 "Confidence and Reliability" PROFESSIONAL CARDS Dr. H. Holmson Physician and Surgeon Hours 10-12; 7-8. Phone 719J. Special attention given to chronic diseases of stomach, kidneys, heart, dropey, high and low blood pressure, nervous troubles. 142 West Center St., Anaheim J. W. UTTER PHYSICIAN and SURGEON Office suite 201-202 1st Nat'l Bank Building; Res. 224 S. Los Angeles. Office hours 10-11; 1-4; 7-8 Phones: Office 338J; Res. 338M. DR. CHAS. S. O'TOOLE PHYSICIAN & SURGEON "Gigolo” Becomes a to Pretty Girls in Searchlights have now been turned on the “Gigolo”, in consequence of the developments of a Parisian high society divorce case. It is not before it was time. At his best the “Gigolo” can scarcely be described as anything but a nuisance, one of those excrescences thrown up in the whirl of present-day dancing neurotics. At his worst the “Gigolo” is a pest of the lowest type, seeking to prey on wealthy women victims, rendered "easy game" by their overwhelming passion for the most violent sensations of modern "excitements." First essential in the stock-in-trade of a “Gigolo” is, of course, a natty pair of legs. He must be able to dance perfectly "shimmies" and "toddlers" irrespective of the lack of aptitude and skill of his partner. If the lady herself happens to be a good dancer, there is naturally no necessity for effort on this side of his business. But it is not generally among the expert dancers that the “Gigolo” captures his victims. They have generally a multitude of adept partners among their men friends. It is the ungifted, false-stepping, would-be graceful woman for whom the astute “Gigolo” has ever the solicitious air. Able by the exceptional skill of his own footwork to create the belief that she is really an exquisite dancer when she has just the right partner, half the ground is gained. And a few delicately turned and tactfully delivered compliments on the lady’s dancing accomplishments go a long way to achieve the rest. Alided by the intimacy of the modern fashionable dances, a relationship of familiarity is soon set up. For the strong willed woman, it of course matters little. She can break it as easily as she has permitted to be established. But for the dance-enamored woman who is less strong minded, it is a far different affair. The perils are well ill-defined. Searchlights have now been turned on the “Gigolo”, in consequence of the developments of a Parisian high society divorce case. It is not before it was time. At his best the “Gigolo” can scarcely be described as anything but a nuisance, one of those excrescences thrown up in the whirl of present-day dancing neurotics. At his worst the “Gigolo” is a pest of the lowest type, seeking to prey on wealthy women victims, rendered "easy game" by their overwhelming passion for the most violent sensations of modern "excitements." First essential in the stock-in-trade of a “Gigolo” is, of course, a natty pair of legs. He must be able to dance perfectly "shimmies" and "toddlers" irrespective of the lack of aptitude and skill of his partner. If the lady herself happens to be a good dancer, there is naturally no necessity for effort on this side of his business. But it is not generally among the expert dancers that the “Gigolo” captures his victims. They have generally a multitude of adept partners among their men friends. It is the ungifted, false-stepping, would-be graceful woman for whom the astute “Gigolo” has ever the solicitious air. Able by the exceptional skill of his own footwork to create the belief that she is really an exquisite dancer when she has just the right partner, half the ground is gained. And a few delicately turned and tactfully delivered compliments on the lady’s dancing accomplishments go a long way to achieve the rest. Alided by the intimacy of the modern fashionable dances, a relationship of familiarity is soon set up. For the strong willed woman, it of course matters little. She can break it as easily as she has permitted to be established. But for the dance-enamored woman who is less strong minded, it is a far different affair. The perils are well ill-defined. Searchlights have now been turned on the “Gigolo”, in consequence of the developments of a Parisian high society divorce case. It is not before it was time. At his best the “Gigolo” can scarcely be described as anything but a nuisance, one of those excrescences thrown up in the whirl of present-day dancing neurotics. At his worst the “Gigolo” is a pest of the lowest type, seeking to prey on wealthy women victims, rendered "easy game" by their overwhelming passion for the most violent sensations of modern "excitements." First essential in the stock-in-trade of a “Gigolo” is, of course, a natty pair of legs. He must be able to dance perfectly "shimmies" and "toddlers" irrespective of the lack of aptitude and skill of his partner. If the lady herself happens to be a good dancer, there is naturally no necessity for effort on this side of his business. But it is not generally among the expert dancers that the “Gigolo” captures his victims. They have generally a multitude of adept partners among their men friends. It is the ungifted, false-stepping, would-be graceful woman for whom the astute “Gigolo” has ever the solicitious air. Able by the exceptional skill of his own footwork to create the belief that she is really an exquisite dancer when she has just the right partner, half the ground is gained. And a few delicately turned and tactfully delivered compliments on the lady’s dancing accomplishments go a long way to achieve the rest. Alided by the intimacy of the modern fashionable dances, a relationship of familiarity is soon set up. For the strong willed woman, it of course matters little. She can break it as easily as she has permitted to be established. But for the dance-enamored woman who is less strong minded, it is a far different affair. The perils are well ill-defined. Searchlights have now been turned on the “Gigolo”, in consequence of the developments of a Parisian high society divorce case. It is not before it was time. At his best the “Gigolo” can scarcely be described as anything but a nuisance, one of those excrescences thrown up in the whirl of present-day dancing neurotics. At his worst the “Gigolo” is a pest of the lowest type, seeking to prey on wealthy women victims, rendered "easy game" by their overwhelming passion for the most violent sensations of modern "excitements." First essential in the stock-in-trade of a “Gigolo” is, of course, a natty pair of legs. He must be able to dance perfectly "shimmies" and "toddlers" irrespective of the lack of aptitude and skill of his partner. If the lady herself happens to be a good dancer, there is naturally no necessity for effort on this side of his business. But it is not generally among the expert dancers that the “Gigolo” captures his victims. They have generally a multitude of adept partners among their men friends. It is the ungifted, false-stepping, would-be graceful woman for whom the astute “Gigolo” has ever the solicitious air. Able by the exceptional skill of his own footwork to create the belief that she is really an exquisite dancer when she has just the right partner, half the ground is gained. And a few delicately turned and tactfully delivered compliments on the lady’s dancing accomplishments go a long way to achieve the rest. Alided by the intimacy of the modern fashionable dances, a relationship of familiarity is soon set up. For the strong willed woman, it of course matters little. She can break it as easily as she has permitted to be established. But for the dance-enamored woman who is less strong minded, it is a far different affair. The perils are well ill-defined. Searchlights have now been turned on the “Gigolo”, in consequence of the developments of a Parisian high society divorce case. It is not before it was time. At his best the “Gigolo” can scarcely be described as anything but a nuisance, one of those excrescences thrown up in the whirl of present-day dancing neurotics. At his worst the “Gigolo” is a pest of the lowest type, seeking to prey on wealthy women victims, rendered "easy game" by their overwhelming passion for the most violent sensations of modern "excitements." First essential in the stock-in-trade of a “Gigolo” is, of course, a natty pair of legs. He must be able to dance perfectly "shimmies" and "toddlers" irrespective of the lack of aptitude and skill of his partner. If the lady herself happens to be a good dancer, there is naturally no necessity for effort on this side of his business. But it is not generally among the expert dancers that the “Gigolo” captures his victims. They have generally a multitude of adept partners among their men friends. It is the ungifted, false-stepping, would-be graceful woman for whom the astute “Gigolo” has ever the solicitious air. Able by the exceptional skill of his own footwork to create the belief that she is really an exquisite dancer when she has just the right partner, half the ground is gained. And a few delicately turned and tactfully delivered compliments on the lady’s dancing accomplishments go a long way to achieve the rest. Alided by the intimacy of the modern fashionable dances, a relationship of familiarity is soon set up. For the strong willed woman, it of course matters little. She can break it as easily as she has permitted to be established. But for the dance-enamored woman who is less strong minded, it is a far different affair. The perils are well ill-defined. Searchlights have now been turned on the “Gigolo”, in consequence of the developments of a Parisian high society divorce case. It is not before it was time. At his best the “Gigolo” can scarcely be described as anything but a nuisance, one of those excrescences thrown up in the whirl of present-day dancing neurotics. At its worstthe "Gigolo" is a pestofthe lowesttype.seekingtopreyonwealthymenvictims.rendered'easygame'bytheiroverwhelmingpaesicianforthemostviolentsensationsofmodern'excitements." First success occurs when he can indulge her has From that stage be persuaded in loyalty compromises may back out cut sum In either certainty "plum" in order quiet. For this reason fairly elderly man common in Frank orate ofthe'opposite role is an enticed dancer to mosphere ofthe impression once The man who chuckles over the prospect of a hard winter may not be a coal dealer. He may be a plumber. Healing Cream Stops Catarrh Clogged Air Passages Open at Once—Nose and Throat Clear. If your nostrils are clogged and your head stuffed because of catarrh or a cold, get Ely's Cream Balm at any drug store. Apply a little of this pure, anti-septic, germ destroying cream into your nostrils and let it penetrate through every air passage of your head and membranes. Instant relief. How good it feels. Your head is clear. Your nostrils are open. You breathe freely. No more hawking or sniffling. Head colds and catarrh yield like magic. Don't stay stuffed up, choked up and miserable. Relief is sure. Advertisement When she has just the right partner, half the ground is gained. And a few delicately turned and tactfully delivered compliments on the lady's dancing accomplishments go a long way to achieve the rest. Aided by the intimacy of the modern fashionable dances, a relationship of familiarity is soon set up. For the strong willed woman, it of course matters little. She can break it as easily as she has permitted to be established. But for the dance-enamored woman who is less strong minded, it is a far different affair. The perils are well illustrated by the recent "developments" in the Paris divorce courts. To be quite fair to the fairly reputable section, without having the slightest sympathy with their "profession," it is necessary to explain the difference between the two kinds of "Gigolos." At all the Paris night restaurants where dancing takes place—known, therefore, like the six or seven good looking young men referred to as the "dancers," who might be described as salaried "Gigolos." They are not paid directly by the women who dance with them, but toted up on the bill just like bottles of champagne. This has frequently led to complications, women unfamiliar with the newest customs of night life being led into extravagant expenditure which it was not at all their intention to incur. When the "Gigolo" of the house has asked the permission of an unescorted woman to dance with her, he has omitted to say, "I am one of the professionals." More than a few women, therefore, have been intensely surprised and justifiably angry when, on receiving their bill at the end of the night, they have found an entry, "Five francs." As usual there has been no pretest, for women who have been "stung" in this manner would much rather pay than make a "scene." But the salaried "Gigolos" attached to a particular establishment are as the cherubs of innocence by the side of the free-lance "Gigolos" who attach themselves also—and this is the preferred prey—to young women who think they are experienced and are, therefore, overconfident of their ability to fake risks. The free-lance "Gigolo" soon sifts out of the mass of unescorted women who accept, or, in some cases, seek his dancing services, the most suitable material for his wiles. When the preliminary "soundly compromises," may back cut out sum. In either of the certainty of "plum" in order quiet. For this reason fairly elderly men common in France orite of the "opposite" role is an enticed dancer to its mosphere of the impression once enough to change "Gigolo" lets it the modesty of that he rides, she swims quite as well would be honored madam's disposal arrange, she really accomplishes late. Probably lies at first, the only indulgent husband such remarks ask take me to these find somebody work. But openness to things of the secrecy to which tached the suspicious rendezvous are and it is during an ensnared woman "scene" carefully retrievably "co-shewerder ones rainy money to buy seers than risk the sheerer to plunge in dangerous associates that the ultimate been overwhelmed sooner or later, o that the only only "Gigolo" is a bit france notes. But not all of olos" are of the fattening on the venturous young There is the might almost call—whose association women who might described as "cee With the freedom cings" it is easy for Bellastons to become a Tom Jones who where. It is am IT WILL PAY YOU TO BUY IN ANAHEIM WOMAN— By Herbert Johnson I DON'T REMEMBER, DEAR I DECLARE I DON'T REMEMBER: A WORD OF IT! WHAT'D HE PREACH ABOUT TODAY? WHY, ED, DIDN'T YOU READ ALL ABOUT THE GOOP WEDDING TWO YEARS AGO IN JUNE? PERCY GOOP IS THE THIRD SON OF COL. GOOP BY HIS SECOND WIFE — HE DIVORCED HIS FIRST WIFE IN 1894 — THE ONE MARRIED TWO YEARS AGO IS PERCY'S HALF BROTHER, WALLIE GOOP, 3RD. ETC. ETC! LONGER LIFE AGAINST NATURE, DECARES SCIENTIST Professor Keith, the great English anatomist, physiologist, pathologist and anthropologist, in a recent interview in Lnodon remarked that he hoped that some day we might know what life is. Questioned about the possibility of lengthening the span of life, he replied: "The desire for the extension of the span of human life is a form of maniness, and if people would only think of the conditions of life they would never entertain the idea. Old age is not a disease, but part of the essential machinery of nature for running human life. Look on nature as the business manager of human life. What nature requires is to keep life going. Nature aims at the species not at the individual. Nature has built our bodies in such a way that we should have short lives. The whole system is built up on a period of short existence. In trying to extend the span of life you are right against nature's basal law. Her who idea is to use young and vigorous lives and kill off the old. "Civilization has tended to extend the span of human life. Animals like the gorilla and anthropoid apes that are nearest to man are old for forty. The aborigines of Australia and Patagonia were old at sixty. Human life is longer now. Experiential points to the fact that life might be extended by at least another decade. But is it desirable? What we want now is young, healthy people. When we need is to extend the period of their vigorous life. This necessitates now being generally recognized and it is the rational view. "I will give you two similes which I think will appeal to the general public. Regard life as a restaurant. People rush in at midday to lunch. It is crowded; there are no seats. Why? Because some people who have finished their meal are lounging about and occupying the seats. The manager says: "I must make regulations." Becomes Menace Girls in France ing" has revealed that the subject is not only manageable, but—more important—finacially worth the efforts of the spell weaver, then begins the casting of the toils. All is done with the finish and elegance of the polished "man of the world." If he did not possess all the arts of the "man of the world" by accident of birth, the master craftsman among "Gigolos" has acquired them in the course of his climb up the dancing repladder. But it is one of the astonishing facts of the new profession that many of the most notorious of its luminaries belong to what would be considered in Paris as quite good families. They are not "recognized" now, but the air of breeding in earlier days is the complement of their dancing ability, making their skilfully mapped out path much more easy to tread. The woman, enraptured by the unremitting attention of the good-locking, perfectly manered, thoroughly accomplished young man, whose "affections" are never diverted by the efforts of other jealous women, does not know she is a victim until it is too late to escape scot-free. First success for the "Gigolo" arises when he can induce the woman to believe she has been "compromised." From that stage the weaker ones may be persuaded into a "scene" that really compromises. The stronger ones may back cut on payment of a stiff sum. In either case the "Gigolo" has the certainty of a fat financial "plum" in order to keep the affair quiet. For this reason the young wife of a fairly elderly rich husband—a ease common in France is the special favorite of the "operators." The "soulmate" role is an easy one for the talented dancer to play in the helpful atmosphere of the dance room, and, the impression once created, it is easy element that the young sons of good families have the tendency to drift. Without any ulterior motive, they are merely "out for a good time," and not being any too well equipped with cash of their own they give their dancing and other social "talents" in return for being treated as a "guest." This type is regularly invited to the dances at private mansions and accompanies his "patrons" through the various seasons from plage to chateau for the shooting and back to "town." Always faultlessly dressed for each diversion in the day's round, his manners are entirely in keeping with the aristocratic millieu. So far as he is concerned, perhaps the greatest harm is to himself. But his "occupation," like that of others would be better abolished. In each of its phases it is a vicious life. The "day" of these majority consists of getting up about 3 o'clock in the afternoon, loiling about for an hour in brilliantly colored pajamas, then dashing along in some one's limousine to be in time for the first the dansant, to be followed after a couple of hours' dancing by dinner at some most expensive restaurant. After this the evening's work begins with dancing at one notorious establishment or another, two or three changes of scene being made during the night, according to the various closing hours, until finally the last "shimmy" is "shivered" somewhere around 6:30 in the morning. N. Y. STAGE SUCCESS COMING TO ANAHEIM THEATER THIS WEEK One of the greatest of New York's recent stage successes, "A Successful Calamity," will be presented at the Fairyland theater, Anaheim. Saturday evening, November 19, by the Madison Square Producing Company. This splendid aggregation of players is one of three special metropolitan companies being sent out to the Pacific coast to produce a number of extended by at least another decade. But is it desirable? What we want now is young, healthy people. When we need is to extend the period of their vigorous life. This necessitates now being generally recognized and it is the rational view. "I will give you two similes which I think will appeal to the general public. Regard life as a restaurant People rush in at midday to lunch It is crowded; there are no seats Why? Because some people who have finished their meal are lounging about and occupying the seats. The manager says: 'I must make regulations! I must limit them to half an hour to make room for the others.' Naturally in the same way has put a limit to the life of man. Another simile: You know that principle of the continuous performance at the movies. You pay your money and see the show round. You are then supposed to come out, but some will stay. The second time you see the show you will be bored; the third time you go mad; and the fourth time you may commit suicide. Human life is something like that. People crave after human immortality They have never thought what it means." The old fashioned girl didn't worry about a hole in her stocking. If it was there it wouldn't show. COMING TO ANAHEIM TREATER THIS WEEK One of the greatest of New York's recent stage successes, "A Successful Calamity," will be presented at the Fairyland theater, Anaheim, Saturday evening, November 19, by the Madison Square Producing Company. This splendid aggregation of players is one of three special metropolitan companies being sent out to the Pacific coast to produce a number of the latest eastern successes. The high cost of railroad transportation in the last few years has made the bringing of New York companies and plays to the Pacific coast almost prohibitive. In order to overcome this situation the Madison Square Producing Company has organized three companies of well known Broadway favorites for a special tour of the west coast cities. Instead of following the customary plan of sending out a separate company with each play, each of these three companies will be equipped for the presentation of several plays. "A Successful Calamity," which is the initial play to be presented, has only recently closed a phenomenal run of two seasons at the Booth theater in New York City, where it served as a vehicle for William Gillette. During the western tour this role will be taken by Boyd Irwin, who won his stage spurs in support of such stars as Ellen Terry, Margaret Anglin and Nance O'Neil. Ruth King, who has the feminine lead, is equally as well known, both for her stage experience and her screen roles. Other members of this metropolitan cast include such well known players as Alma Francis, Ethan Allen, Lorenz Gillette, Ross Forrester, Phyllis Connard, Rafaele Brunnette, Aimee Torriani, Fred Hawthorne and Charles Gregg. The plot centers around a socially tired New York millionaire who attempts to secure a quiet evening at home with his family. In order to accomplish this he evolves a scheme, which leads him into a maze of happenings that are decidedly outside of his reckonings and nearly precipitate tragic consequences. Written only to amuse, the play has yet a well-founded and probable plot that baffles and maintains an intriguing suspense, which cleverly offers a balancing contrast to the absurdly amusing situations that fairly tumble over each other. CHEVROLET Look at This HERE ARE A FEW OF THE FEATURES OF THE 1922 CHEVROLET—A SUPERIOR CAR. Spiral bevel gears in the differential insuring absolute quiet. Seat backs 4½ inches higher. Baked enamel finish on body. 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Have your electrical dealer show you the complete line of Westinghouse Electric Irons (type H, type M, Traveler's, 3 lb.) and appliances. Seek Westinghouse quality and service in selecting your electrical appliances. Westinghouse ELECTRIC WARE FOR THE HOUSEHOLD The Line with a Service DOLLAND ELECTRIC CO. 119 North Los Angeles St. Anaheim